A condenser microphone for live singing? Considering back coupling it might be seen a bit critical. But there is no other microphone technology, which brings out every nuance of the human voice in such high quality. The MIC 78PRO-C portraits the voice in its entirety. Power supply for the condenser capsule is possible via phantom power provided by the mixer or an inserted AAA battery.
E-guitar amplifiers, drums, brass instruments, saxophones or the like will love the MIC 75Pro. Singers have also discovered this type of microphone. The MIC 75PRO does not require phantom power nor careful handling. It is extremely durable for the tough life on stage.
This microphone feels at ease everywhere – no matter which stage or genre. It has an extraordinary reproduction of the voice offering feedback stability at the same time. Thanks to a rugged metal construction, rough handling or drops do not pose a threat to the MIC 85PRO.
Model MIC 85 and model MIC 85S with switch are rugged and reliable dynamic microphones. They have an exquisite open and present sound offering feedback stability at the same time. They are ideally suited for lead and background vocals on stage.
Brings out the best sound of every set - during studio and live applications. The set contains a dynamic large-diaphragm bass drum microphone which guarantees a punchy and precise bass drum sound. The four dynamic microphones for rack drums pick up the sound precisely and clearly. Two overhead microphones complete the set. They are high-quality condenser microphones which ideally reflect the sound of the cymbals and the whole drum kit. The set is supplied in a practical case.
When it comes to smaller live gigs or to recordings of the more tender music, the bass drum and the drum set can be recorded together as one. For this occasions, the set of three has been designed. A dynamic large-diaphragm bass drum microphone which is punchy and precise. The two overheads are high-quality condenser microphones which ideally reflect the sound of the cymbals and the whole drum kit. The set is supplied in a practical case which offers space for accessory microphones.
The MIC 77L is a dynamic instrument microphone for recording low-frequency instruments such as bass drums or tubas. The large diaphragm reflects the low frequencies perfectly without acting slow or powerless. The microphone has a very effective cardioid pickup pattern that isolates the main sound source while minimizing background noise.
An all-rounder for various instruments. This dynamic instrument microphone is perfect for recording snare drums, rack drums and percussion instruments, brass instruments and saxophones or even guitar amps or other instrument amplifiers.
Especially designed for overhead recording of drum sets and percussion kits. But also other acoustic instruments like piano, acoustic guitars or woodwinds of all kind can be recorded very properly. The condenser technology guarantees clear recording even with quieter instruments.
A ribbon microphone with a high degree of linearity and an excellent impulse response. It‘s especially suitable for recording drum overheads, other instruments with high SPL and large dynamic range such as pianos and acoustic instruments - also for speech and vocals. The figure 8 pattern opens completely new possibilities in sound. The microphone is mechanically decoupled through the included shock-mount.
Clear sound and great frequency range. It comprises almost the entire spectrum of the human hearing (30 Hz to 18 KHz) and is therefore suited for a large variety of applications. It can be used as choir microphone, for speeches, recording quiet and tender instruments like acoustic guitars, woodwinds or pianos. It also works as overhead for a loud drum set.
With three interchangeable capsules. So it can operate with cardioid, super-cardioid or omnidirectional characteristic and ensures maximum versatility. Ideal for recording studios, acoustic instruments, strings, horns, orchestras, e-guitars, drum overheads and choral groups
Condenser microphone with extra thin 18 mm aluminum diaphragm (¾“) that provides a perfectly neutral and brilliant sound and an amazing frequency response. It has a perfect cardioid pick-up pattern, high sensitivity and low self-noise and very wide dynamic range. Designed for professional studio recordings and live use, the microphone is suitable for the pick-up of vocals, wind instruments, overheads and strings as well as electric and acoustic instruments.
A large diaphragm condenser microphone with extra thin, gold-plated 34 mm diaphragm capsule. It provides a particularly clear and brilliant sound, has a perfect cardioid pick-up pattern, high sensitivity and low self-noise. It was designed for professional studio recordings and high-quality home recording applications and can be used for almost every recording situation
Electret gooseneck microphone is designed for conferences, public speeches and lectures. It is equipped with a back-electret condenser capsule for bright and clear sound and guarantees excellent speech intelligibility even at greater distances.
Gooseneck microphone is designed for conferences, public speeches and lectures. With its dynamic transducer, it guarantees bright and clear sound even in very loud areas when placed close to the sound source.
Gooseneck microphone was designed for conferences, public speeches and lectures. With its dynamic transducer, it guarantees bright and clear sound even in very loud areas when placed close to the sound source. Comes without foot and can directly be inserted into a microphone connection or used as a desktop microphone together with a microphone base.
The electret condenser microphone with an all-metall chassis has been specially designed for measuring speakers and PA systems. The microphone‘s flat frequency response from 20 Hz to 20 kHz and its omnidirectional pickup pattern provide an accurate reproduction of any room‘s sound characteristics. Due to its excellent properties, it is also suitable for special acoustic recording situations. It features very low self-noise, wide frequency response and high SPL capability.
This set consists of a stage microphone, a stand, a holder with adapter screw and a upholstered bag. All components convince with their first-class quality.
The sensitivity regarding the acoustic noise, that is what the polar pattern illustrates. To be more precise: It defines what directions can be heard by the microphone. The most important characteristics are: